Created in early spring, Doubt Carried by Light holds the energy of tension, where uncertainty and hope move in close conversation.

Layered reds and ochres press against one another with warmth and insistence. Gold threads through the surface like a pulse, not softening the doubt but carrying it forward.

There is movement here, almost a storm, but it is not chaotic. It has a purpose. The composition does not resolve tension. It sustains it.

This piece is about trust as strength. Not the absence of doubt, but the refusal to let it extinguish the light.

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Medium: mixed media on paper
Size: framed 30 × 38 x 1.4cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

As this and Hope Held in the Deep works speak beautifully together. If you’d like to take home the pair, feel free to enquire about a special price.

Rich, saturated reds and golds gather in layered, petal-like forms, creating a sense of warmth that feels both grounded and alive.

The composition carries movement, yet it feels anchored. As though hope is not rising lightly, but held firmly within something deeper and enduring.

Gold flickers through the surface like soft affirmation, while bold strokes press forward with confidence.

This work speaks to hope not as fragility, but as strength.

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Medium: mixed media on paper
Size: framed 31 x 27 x 1.4cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

As this and Doubt Carried by Light works speak beautifully together. If you’d like to take home the pair, feel free to enquire about a special price.

This piece was painted during a period of creative slowing and small, deliberate steps.

Layered fragments meet along fine, seam-like lines, as though something has been uncovered and gently reassembled. Deep reds move through the composition like traces left behind, subtle imprints rather than declarations.

The work reflects on memory not as story, but as residue. What the ground absorbs and what it keeps.

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Medium: mixed media on paper panel board
Size: framed 27 x 31.5 x 2cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

Curve of Early Light moves with a subtle sense of emergence.

Sweeping, feather-like forms, arc gently across the surface, held in warm ochres and softened reds. Fine gold lines trace the curve, not as ornament but as illumination, catching the light in beautiful, shifting ways.

The composition feels open, almost weightless, as though something has shifted from holding to rising.

A study in discernment. When less is allowed to remain less, and light is added only where it belongs.

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Medium: mixed media on paper board panel
Size: framed 28.5 x 26.6 x 2cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

Inspired by the scent of late autumn woods. Damp leaves. Muddy soil. Mist settling low. This piece holds the stillness of a season turning inward.

Earthy browns and muted greens gather like fallen leaves pressed into the ground. The red marks move through the surface like a softened heartbeat, tthe subtle rustle of life rustling below.

It speaks of natural cycles that cannot be rushed or resisted. Of what falls, softens, and becomes soil for something new.

A grounding presence that brings warmth and depth to a space, especially where you want to feel held rather than hurried.

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Medium: mixed media on paper board panel
Size: framed 29.6 x 36 x 1.4cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

This work began as a larger canvas that I could not bring to completion.

I kept layering, convincing myself the next mark would resolve it. I was hiding in the comfort of “work in progress”, adding paint instead of making decisions.

Eventually, exhausted and frustrated, I turned the canvas over and cut into it. I tore it apart. What felt like destruction became something else. When I flipped one fragment back around, the centre held. Stripped of excess. Fierce. Alive.

The offering was the whole painting, surrendered to fire, to honesty. What remains is the core that survived. A fragment born through rupture, carrying the heat of that moment.

Sacred, not because it was perfect, but because it required bravery of letting go.

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Medium: mixed media on a fragment of canvas
Size: framed 27 x 24.5 cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

This work began simply, two colours and a loose intention. Once the central form appeared, I paused. What followed was not constructed, but allowed.

The shape that emerged refuses certainty. It carries the curve of a shell, the suggestion of flame, the outline of something both ancient and intimate. It shifts with your inner landscape.

I titled it An Echo of a Memory because it feels familiar without being fixed. A contour of a feeling that slips away the moment you try to pin it down.

There is warmth in it. A sense of a doorway. A portal to somewhere just beyond the visible. Not dramatic, not defined. Just slightly ‘other’.

Memory is fluid. It moves. It reshapes itself.

This painting does the same.

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Medium: acrylic on deep-edge cotton canvas
Size: 50 × 40 × 4 cm
Year: 2025
Framing: unframed, ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

Although listed as individual works, these two paintings were created side by side. The movement continues from one canvas into the other, a shared rhythm that carries across both surfaces. They can exist independently, yet they were born from the same energy.

The process was surprisingly fluid. I created them over one intense weekend, fully immersed for long stretches of time. There was a sense of ease I hadn’t expected. The forms arrived without resistance.

They were made shortly after a visit to Poland. I recognise hints of folky shapes and floral echoes woven into the composition. And, it was early October, trees still saturated with colours, and that atmosphere lingers between the layers.

I chose the title Rozkwit because something in me bloomed while creating them. The confidence, the continuity, the inspiration, it felt like an opening.

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Layered pigments, acrylic paint, inks and coloured pencil on canvas. Surface variations and pigment traces are part of the work’s material character. Detail images are provided to show the texture and finish clearly.

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Medium: acrylic on cotton canvas
Size: 43.7 × 53.9 × 3.3 cm
Year: 2025
Framing: framed (white frame); ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

As these works speak beautifully together. If you’d like to take home the pair, feel free to enquire about a special price.

Although listed as individual works, these two paintings were created side by side. The movement continues from one canvas into the other, a shared rhythm that carries across both surfaces. They can exist independently, yet they were born from the same energy.

The process was surprisingly fluid. I created them over one intense weekend, fully immersed for long stretches of time. There was a sense of ease I hadn’t expected. The forms arrived without resistance.

They were made shortly after a visit to Poland. I recognise hints of folky shapes and floral echoes woven into the composition. And, it was early October, trees still saturated with colours, and that atmosphere lingers between the layers.

I chose the title Rozkwit because something in me bloomed while creating them. The confidence, the continuity, the inspiration, it felt like an opening.

—

Layered pigments, acrylic paint, inks and coloured pencil on canvas. Surface variations and pigment traces are part of the work’s material character. Detail images are provided to show the texture and finish clearly.

—

Medium: acrylic on cotton canvas
Size: 43.7 × 53.9 × 3.3 cm
Year: 2025
Framing: framed (white frame); ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.
If you’re based outside the UK, please contact me with your address for a shipping quote.

As these works speak beautifully together. If you’d like to take home the pair, feel free to enquire about a special price.

At first, I could not bring it together. Instead of forcing it, I left it alone and turned to smaller works. It waited.

When I returned, the shift was simple and decisive, one intuitive splash of water and pigment. Suddenly, a way forward revealed itself.

While creating it, I felt as though the painting was speaking from somewhere slightly ahead of me. Calm. Certain. Almost unfamiliar, as if it carried knowledge I had not yet caught up with.

Hereafter feels like a reassurance. A wink from the Universe. A reminder, that clarity does not arrive through pressure, but through pause.

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Medium: mixed media on linen canvas
Size: 33 × 43 × 3.5 cm
Year: 2025
Framing: framed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.

If you’re based outside the UK, please contact me with your address for a shipping quote.

This painting formed slowly, through layers that grew heavier rather than lighter. I kept returning to it, adding depth, darkening the surface, unsure why it unsettled me so much. It was uncomfortable to look at. Only later did I understand why.

This was not about resolution. It was release.

Osad holds the weight of what settles when something has been carried for too long. Tension, frustration, exhaustion. What remains after pressure. What compresses into the body when there is no space to soften.

Osad does not comfort. It grounds.

Not in ease, but in weight. In presence. In the honesty of what is here and now.

The residue of pressure. The truth beneath it.

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Medium: mixed media on cradled wooden panel
Size: 42 × 29.6 × 2 cm
Year: 2025
Framing: unframed; ready to hang
Authenticity: titled, signed and dated on the reverse; certificate of authenticity included
Shipping: Full details available on the Shipping & Packaging page.

If you’re based outside the UK, please contact me with your address for a shipping quote.